The Adena culture are another well-known example of an early Woodland culture.
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Caribou, and to a lesser extent moose, are major resources, providing hides, antlers, sinew, and other artistic materials.
Porcupine quillwork embellishes hides and birchbark. After European contact with the influence of the Grey Nuns, moosehair tufting and floral glass beadwork became popular through the Subarctic.
In this period, which reached its height in the late 19th century, Inuit artisans created souvenirs for the crews of whaling ships and explorers. Modern Inuit art began in the late 1940s, when with the encouragement of the Canadian government they began to produce prints and serpentine sculptures for sale in the south.
Greenlandic Inuit have a unique textile tradition intregrating skin-sewing, furs, and appliqué of small pieces of brightly dyed marine mammal organs in mosaic designs, called avittat. They have strong mask-making tradition and also are known for an art form called tupilaq or an "evil spirit object." Traditional art making practices thrive in the Ammassalik.
While there were many regionally distinct cultures, trade between them was common and they shared the practice of burying their dead in earthen mounds, which has preserved a large amount of their art.